Death Scrolling, Changes & Danny's Essays

 I do enjoy Danny Gregory's weekly essays (see also video below), but I am rapidly running out of patience with two things.

1) The inconsistency of the social media giants (watch for more post on that topic)

2) System upgrades that just happen when you turn on your computer or pickup the phone (I've already written a lot about my frustration with upgrades particularly window)

So where that that get me, Basically Nowhere

Which means it's time to forget them, pick up my camera or brush and listen with the occasional chuckle to Danny's take on the situation.

 

Photowalks Resuming (at last)

The lengthy covid-19 lockdowns and some personal health reasons, meant I stopped running Photowalks some time ago. I'm pleased to announce I am resuming them in conjunction with MGA (the Monash Gallery of Art). There will now be a small fee (to help cover the administration), and I encourage anyone with a camera (including phones) to come along.

Sunday June 12th. 1:00pm

Meet at Monash Gallery of Art

860 Ferntree Gully Road

Wheelers Hill, VIC 3150

Note registration is now via the mga eventbrite site or events on their web page,

The Connections Exhibition is OPEN

 

Wednesday Wanderer's Connnections Exhibition opens today at AGRA Gallery

22 artists (including me) are represented with 82 works. If you want to "Meet the Artists" you will have that opportunity on Saturday & Sunday 5/6th March; 1-4pm

Unfortunately, Mihaly Csikszentmihalyi died last year. His wisdom from living through the second World War, his father being the Hungarian Ambassador in Rome at the time the communist takeover of Hungary in 1949. It is probably just my fantasy but it would have been great if he could have sat down for a quiet chat with Putin and explained the misery, tragedies, insecurities that are the toll of losing freedoms, jobs, homes, can impose on the innocent. His deep wisdom into the secret to happiness is still very relevant today. 

This is an important TED talk that Mihaly gave in back in 2008 covering the lead into how he started describing the flow experience. It is wonderful context told in a series of stories,

His book (1990). Flow: The Psychology of Optimal Experience, will give you greats insight in the Flow State

Wednesday Wanderers and the Flow State

The wanderers began by happen-chance. Three of us started our own small plein air painting/sketching group out in the real world. Soon after Victoria began it first lock down and after a couple of rocky test, we started meeting on zoom on Wednesday at 10:00am. It was a welcome get together and we started painting a shared photo supplied by one of the participants since it was the free zoom meeting we only had 40 minutes for the session before we got cut off. Not a lot of time to carry out a watercolour painting of a scene you had not seen before.

The Watercolours Society of Victoria had purchased the Pro version of zoom and kindly allowed us to use their service so we were no longer bound by the 40 minute limit but kept the rough timing and format.

There is a Chinese proverb attributed to Lao Tzu

“If you are depressed you are living in the past.
If you are anxious you are living in the future.
If you are at peace you are living in the present.”

It is this being in the present when you are painting, that probably explains lot of the popularity of the Wanderers

Mihaly Explains [watercolour on Canvas by Norm Hanson]

I believe it has a lot to do with helping the participants slip into what the Psychologist Mihály Csíkszentmihályi identified and calls the Flow State. In which the duration of time is altered, hours pass in minutes, minutes can stretch out to seem like hours.

After interviewing many successful people for his study of the Psychology of Optimal Experience, he concluded that there were seven common experiences shared by these people. He calls these the Elements of Enjoyment

1. Confronted by a task, with a chance of completing it.
2. Be able to concentrate on the task
3. Task has a clear goal
4. Immediate Feedback
5. Could participate with a deep but effortless involvement (remove from the constraints and frustration of every day life)
6. Be enjoyable (allowing people to exercise control over the actions)
7.  Concern for self disappears (yet paradoxically the feeling of self emerges stronger after the flow is over.

Mihaly liked to explain this in two dimensions, the challenge versus skills.

He believes you can most easily move into flow if you are aroused (but anxious) by the challenge and you take the opportunity to practise and improve your skills, or you are confident in your skill (but bored) until you get inspired by the challenge. Flow occurs when a task’s challenge is balanced with one’s skill.

A very important aspect of the Wanderers is the group dynamic. Mihaly studied and advised many sporting groups including the successful  Australian Women’s Hockey team, Australian Olympics cyclists and ice skaters. He lists these important characteristics for teams to Achieve Flow and thus improve their collective performance by achieving group flow.

1. Group empathy (including helping others to achieve their desired performance)
2. Activity has clear goal
3. Opportunity to be both autonomous and at the same time cooperating in the group.
4. Immediate feedback (both personally and shared with the team)
5. Skill required matches the difficulty of the task. Some individuals can focus on different skills 

Whilst we were not always in focused together, and seldom on all aspects. Those participating were generally focussed in the present challenge testing their skills and often reaching the flow state.  Mihaly says it is this flow that allows the enjoyment of experiencing that you are good at something while you are doing it. It didn’t matter so much if you had or had not finished or looked the same as others.

 Norm Hanson
Febraury 2022

Connecting What and Who are the Wednesday Wanderers?

 What were you doing during the lockdowns? (well assuming they are over) 

Here is something I did and we are having an exhibition, If you are in Melbourne or allowed into Victoria please come and have a look.

Wednesday Wanderers was born out of the COVID-19 pandemic.  Unable to meet or paint en plein air during strict lockdowns, three committee members from the Watercolour Society of Victoria were feeling isolated and fed up with their own four walls.  It’s easy to forget that before COVID, many people had never used or even heard of Zoom.  We used it to connect a diverse community of watercolourists interested in escaping from the pandemic blues once a week.  We adopted a quirky speed painting format that challenged our skills and fit in with the technology requirements. 

Immediately it became apparent that there was a need for something like this, as membership quickly grew.  It has enabled artists who could never have come to a real-world paint-out to spend time some enjoyable time painting together in a safe environment.  Time poor artists, artists who live far from Melbourne, housebound artists, and those caring for family members. 

 We continue to meet fortnightly now that lockdowns are presumably a thing of the past.  We now have Wanderers in many parts of Victoria, as well as New South Wales, Western Australia, and the United States.  We have become a warm, welcoming community that continues to grow.

,,, Jane Elliston

Another Sponge Tip for Watercolourists

Carting around water pods at the beach, if your sketching can be just one extra task too many. I decided to try out using a couple of pieces of foam/sponge. One to clean pigment off the brush to other to hole clean water to wet the brush.

The tropics come to Gwondanaland

  

Melbourne is famous for having 4 seasons in a day. However we seldom actually see a tropical style downpour. My Cretaceous garden has been suffer through some summer heat (and no rain) but today the rains came (about 26mm in a little over half an hour. Other parts of Melbourne had more.

Anyway my little garden, for a few moments took on the mantle of a true rainforest.

What is the Sponge for?

"CULL"ing the four letter world that photographers don't want to speak

I'm getting close to filling my 5TB disk on which I store my mastercopy of my photo library. There are almost half a millions files, a lot are jpeg & RAW pairs and there are movies as well. This actually only covers my 2010 to 2021, The 1999 to 2009 is on a differeent 1,5TB disk, Then there are 6 2TB off-site backup copies in 2 sets of 3 external usb harddrives, that I rotate every 2 months. Its becoming a bit of a production. Also i'm now faced with the isses to determine what is the most sensible way to get extra space.

1. Probably the most likley, is I'll take two of the external disks from my second offsite disks and add a third local photo library disks (I do have one USB port left) and make just one offsite set of 4 2TB disks. The surplus 2TB can become a rotating backup of the last 2 or 3 months. OK this will give me "some" headroom for at least the first part of next year.

2. Sit down and do some serious "CULLing" of things I am never likely to reconsider. This is that really scary thing a lot of photographers or even frantic smartphone snappers, will have to face at some time. 

Why has this come about because I have and use photo mechanic and (usually) spend a bit of time when I "ingest" (load the photos from the camera card onto the computer) my photos where I in theory on load the "keepers"? The out of focus, poor composition, unfortunate expression and straight bad images always get deleted straight away.

The problem is I have come to like and use techniques that have multipled the photos I take. Particularly with the fun features on my little olympus cameras (HDR & Focus bracketting, Panoramic stitching, Burst mode and PRO capture). Also the new favoutite and automated intervalometer for stop motion. Ok I blame them, but perhaps I have become a little less dilligent and skip through these sets as I import them, not being strict enough on what gets deleted.

OK could I find and use modern software (specifically AI based system) to help me re-tackle the horrible task of reviewing and further deleting my photos. Seems it could even be an economically attractive option as well if I could get ride of perhaps 40% of my files, that could translate into 3-4 years before I have to outlay on extra disk capacity. Not sure what say two 4-5TB external harddrive (or the equivalent cloud storage) might cost but lets estimate around $150 each or $300 now. If I could find something for $100 that looks economiclly attractive.

What started this was an "offer" for AfterShot at $9.99 ( and thats probably USD$) but in my mind that seemed perfectfor my budget and I download the "free trial". It did a few good things, like  sneak preview grouping that used AI to find those images most like the ones shared on instagram and like services and was very strict with focus, Howeer a lot of its features like eyeclosed andface detect stuff didn't help me a lot also I was getting almost as many possible duplicates as I had photos (ie jpeg & raw pairs were reporting as two duplicates) and in most cases it was flagging the jpeg as the file to keep. Then I realised that the $9.99 was just per month and the discount was jut for a year if you paid up front after that it was $14.99 per month. Buying the extra disk now would be a much better option. I can see a wedding or group photographer is likley to save a lot of time. However what I am looking for is a cheap space creator. 

I do own another programs called  Corel AfterShotPro, which is a light weight RAW Editor I still use it occasionally mainly on my little HP Spectre when away from home. So one aftershot is probably enough. It does allow me to label/keyword, rank, colour code, and flag as Pick or reject but manually not via and automatic AI assisted approach.

"Exploiting" (aka Faking) Banksy? as an NFT

Here is an interesting article from The BBC about a bansky work "warning sign" being "re-created" as an NFT by its current owner. The story contain a link to the you tube below, which appears to be a spoof of the film, "exit via the gift shop". superficially its all noble sounding, a proportion of the purchase going to charity. etc...

Looking deeper it appears a lot like a not so subtle attempt to ramp up dark memories of a terrible tragedy and opportunity to get publicity and probablu a lot of money from an asset propped in a lounge room. 

At the heart of the issue is can you believe social media and the NFT market (if DAOs or truly anything organized like that truly exists). Is it actually people scamming and exploiting others? Are NFT a real long term investment. What does ownership of something that is public and anyone can "look" on line (and potentially make decent exact reproduction). We do also know Bansky doesn't really like the art investment “establishment” and has gamed them previously. Who can we believe?

Former Christie's auctioneer Charles Allsopp said the concept of buying one [NFT] made "no sense" and "people who invest in it are slight mugs".

 I'm inclined to see this as a story, parts of which (may all) might be just to ramp up sales of something virtual. I would suggest Charles Allsopp advice is worth considering. However please read the details and make up your own mind.

Return to the Old Chestnut :: Scaning Versus Photography

I have looked at the issues of the best way to get a digital copy of your art work many times. I'm still open to finding the best way, but realise there might be different solutions for different media and how the image is to be used. With watercolour possible the most difficult to find a good solution, because much of it's magic lies in it's transparent colours.

 

Now it's your turn. The above images have been capture with webcam, phone, mirrorless camera and scanner (in no particular order).

Which best shows the watercolourness? 

Which looks best?

The story of the Magic Pen

 My Creativity bootcamp, has been interupted by life, and might be slow to start (but please keep an eye out).

In the meantime here is a nice story, from Danny Gregory of Sketchbook Skool)

Creativity Bootcamp & Finding your Dominant Eye

This is a new project for me, pulling together a series of art oriented warmup exercises and drills that help focus on seeing as well as practising a few skills. I’m starting by help you find your dominant eye.

What the? ... is going on at skylum!

I must admit I have read and watched the hype about Luminar NEO. I really can't believe it isn't backward compatible with either Luminar 4 or Luminar AI. Then there is also the constant hype to preorder it. Finally I don't see much in the way of features I would want to use, perhaps with the exception of layers (but they look more like selective filters to me. So I was committed to using Lumiar AI "as is" (ie no more updates)

Then there was a notification that Luminar AI had an update. Great they haven't forgotten their customers.

 Ok it doesn't do much (som extra camera compatibility, fix a big problem with Some Cannon R models and a sky replace feature update (I haven't used the sky replacement in anger yet) Ok not a lot to see. Wrong every time I start I get a pop-up nagged about buying into the Luminar NEO vapourware before its released.

 

You are going to annihilate a lot of your customers Skylum.

A wonderful end to the day

Yet Another Facebook Fail

 

I don't use facebook much at all. I was promped to use it when instagram continually cropped my lastest inktober post to square!

So I decised to post it to facebook. Well that didn't get far. Despit getting a code to my phone it wasn't recognised. 

Three codes, three times!

Is this really facebook? No matter facebook be gone. 

Artistic Spirit

 

I had some fun today creating a still life for my 365 Photo Project and a re;ated sketch for todays Inktense Topic Spirit.

The absente was drunk long ago, its lime juice in the glass to represent that milky green. The photo was run through Luminar Ai (with just a slight tweak to the right of the Enhance Accent slider) The background is a Corel Painter simple photo clone. The sketch on the right was made with Faber-Castell Connector Pens and Gel Pen. 

Having fun creating art is good therapy and great for your health. A lock down antidote.

The creeping cost of upgrades

I have notice with a sadness that the former champions of perpetual license (ie you buy the software) in the graphic/art/ photography areas, where doing well because they picked up a lot of extra buyers running away from Adobe’s Subscription model. Particular at the start up adobe did ot upgrade much. The champions were upgrading often and charging a smallish amount (20-30%) for the upgrade, and this also went down well with users.

Things have changed a lot of the last two years. Adobe have reduced subscription options (particularly for a single piece of software or group of complimentary tools) and increased subscription for the full creative ? to a ludicrous level (if you aren’t using it for a profitable business). This is clearly gouging a customer base. Not nice and another way or suggesting they are cutting of your nose to spite your face.

Unfortunately the price of upgrades are creeping up to 70-80% of the first license. If the software has been upgraded significantly that may be ok. A couple of suppliers prompting upgrades aren’t yet advertising an upgrade price, if one is even to be offered. Perhaps waiting 2-3 upgrade cycles is still ok. However it is rapidly reaching the case where if you are a loyal software user the amount you pay annually is not a lot different between perpetual licensee and subscriptions.  Both teams are gouging their user base. Possibly there is a little churning of software sold to the same number of users. In both cases we the users are the losers.

The case of Luminar Neo, is a particularly blantant attempt. It is probably a market driven ploy trying to prompt hype aboput all new, limit time/number pre-purchase seats, etc, etc but I personally just see something that isn’t legacy compatible and does not offer a  bigger step forward as is being over-hyped. I have Luminar AI and love it (not as my main photo editor that’s still ON1) but because some of the AI features are really useful and time saving. I feel I share a lot this think with Peter Forsgård . Until there is a trial version I can try I will not commit to spending anything on what is still vapourware.

Lowdown on Lockdown

 

The promised easing of lockdown conditions, didn't materialized (ok they are pshed forward a few days). It was however a great day to get out and have a picnic of one household and sepearted groups.It Jells park it wasn';t even possible to park so we (my wife & I) had to go a little further.

Everything is nice and green (alternative pring sun and rain) is doing wonders but the grass is getting tall. A great opportunity to get down low..