Showing posts with label close up. Show all posts
Showing posts with label close up. Show all posts

Wednesday, April 29, 2020

The Window VIII :: Getting really close


When you think there is nothing more to challenge your photographic desires taking photos of TheWindow, its time to get closer.  "The closer you are too the subject, the more detail you see and the greater the impact of your photograph" ... Rich Sammon. This advice is not new but now is a perfect time to take the advice seriously.

You actually don't need a specialist macro lens, although they can simplify the tasks when getting really close up. You can use any lens really, but there will be a few challenges to address.

118/336 the sunniest spot in the house
Most lenses have a minimum distance that they can focus and in general terms the longer the focal length the greater the minimum focusing distance. This can work against you when trying to use the magnification capability of a telephoto lens to get a larger image. With your impressive Telephone Zoom you might have to stand a meter or more away!  Whereas with your wide angle lens you could get with a few centimetres.

The next obstacle is depth of field which is a bigger topic than I need to address in full here, where by the longer the focal length of the lens the shorter can be the width over which the camera is able to achieve sharp focus and to confuse things the Aperture (which controls the amount of light let through the lens) also affects the apparent depth of field. Wider Aperture (lower f-stops) narrow the zone within which the focus seems sharp.

118/366 I did tell you the Windows needed cleaning
The distance to the subject also affect perspective. Wider angle lenses (lower focal distance of the lens) make close objects seem larger. Telephotos (large focal length lens) make distant objects appear larger and more similar in size to close objects (they seem to compress space). This difference can be amplified for close up photo.

The final issue that might prove a challenge is the about of light. Consider that there is only a fixed amount light coming off a subject so as you use more magnification. The amount of light landing on a given sized pixel in you sensor gets less. You will need to either expose longer of move to a wide aperture. Leading to the possibility of blurring via camera shake or soft focus due to a narrower depth of field.

I'm deliberately not telling you how to find the compromise between all these issues. I'd rather you figured this out yourself. You should have plenty of time to work through your solution. No need to keep those trial photos this is an exercise in understanding not make a single great photo. However I found this nice explanation of what depth of field Is and Isn't on a new YouTube channel called Photography Online. Its quiet an informative show so perhaps check out some of the earlier episodes as well.



"When you think you are close enough, Get closer"
... Rich Sammon

Wednesday, April 22, 2020

The Window V :: Backlight with Available Light

110/366 Must have  been a good night!

The natural ambient light can be perfect for back lighting close up subjects. This bottle and glass where not cleaned up from a homemade pizza dinner the night before and this simple composition using the soft indirect morning light caught my attention.

Always be on the look out for good lighting opportunities now that you are staying at home.

Wednesday, April 01, 2020

BLUE Colour #photoassignment

Looking in my camera bag I can see some important stuff for keeping my Camera Healthy and Clean, which just happens to be Blue. For the lens there are the blower and lens pen and that black microfiber cloth supplied with your camera. The blue "fannel" is also microfiber and ideal to wipe down the outside of the camera (every day after use). You can wash microfiber cloths in the washing. The Blue zip wallet has a spare battery and extra SD cards.

Camera hygiene can be as important as washing your hands as well.

Tuesday, March 31, 2020

GREEN Colour #photoassignment

There is lots of green in the garden at the moment but I haven't photographed the staghorn fern near the front door in a while. I noticed a new frond unfurling so I got in close.

When you look around the house and look, really look in detail its amazing what you might find to photograph, especially when you look close

Monday, September 11, 2017

On a Bright Day

_IGP3927lum

Experimenting with a long lens for macro photos (in my garden). Unlike portraits flowers can still look beautiful in the harsh Australian sun

Saturday, November 26, 2016

PhotoProject ::Getting in Close to the Flowering Grasses

It was mainly the pollen of various pasture & native grasses that where implicated in the storm induced asthma crisis on Monday, so I have been looking at some of the fascinating “grass heads”. Quite an inspiring subject for an ongoing Macro PhotoProject.

_IGP8277-Edit _IGP8307

Friday, June 17, 2016

ArtInspired :: The Banksia in the rain

Still thinking of the process used by artist to create an image versus how a photographer might capture that image. It has been a overcast and drizzly day but I managed to get a photograph of a banksia cone in flower. A almost good photo in itself and I had run a bracketed set (handheld) but it was windy so it was hard to merge and properly register. Rather than commit them to the reject bin it was a worthwhile starting point to reconstruct an image in the manner an artist might.

I’m just using my HP Spectre Tablet in tablet mode so I started with the original image and used the Polarr app to add a little contrast, contrast and strength to the red (both luminance and saturation, but not two much). I might have normally preformed this in lightroom and/or OneOne but they are not as touch screen aware as Polarr, which is a pretty neat photo edit app with really intuitive and easy to use basic tools that can easily be used by hand in tablet mode. An artist might start with the background and the overall colour, so I switched to Corel painter essentials and first set up what they call smart blur (which help highlight the strong compositional elements) and also refined the colour palette (I just wanted to enhance the two colours red and green, classic complimentary colours so I pulled back the saturation of any other colours). I use painter essential to do a very quick starter clone painting of the background. Unfortunately this smeared out the red so I use a soft clone brush to bring out sharper edge  of the Banksia flower (this helped later registration of the images). Next I re-ran the HDR merge using Aftershot Pro, with particular focus on getting best registration on the banksia. However the droplets of water where no longer perfect.

_IGP6049 original photo enhanced in Polarr prelim clone painting in Corel Painter HDR created with After Shot pro

I now had three separate and subtly different images and used OnOne 10.5 layers to blend them together.  The background from the clone painting, the foliage and water droplets on the upper stamens from the original photo and the flower itself a combination (a soft blend mode) of the original photo and HDR image (mainly to enhance the colour).  With a Brush Border from OnOne Enhance

Between Painting & Reality

I’m not sure how to refer to this style of image. Is it digital art, a faked photo (aka photoshopped which of course it isn’t) or photomontage or something different (and new)?

“We called it photomontage because it reflected our aversion to claiming to be artists”  …Hannah Höch

Sunday, June 12, 2016

PhotoProject :: Non-Bending Macro

My sigma telephoto macro lens

Cracking and bruising some ribs a couple of weeks ago has slowed me down a lot. Especially in terms of getting out specifically to take photos.

This week I was planning to do some more on macro/closeups and just focusing on textures. Unfortunately that typically means a lot of bending, not something I want to do at the moment. However my favourite telephoto (a old sigma 70-300 DL Macro Super, no idea what the super stands for) has a macro setting, that basically lets you focus in close when using the longest focal lengths.

 Lime Blossumazaleapotatoe creeperOn a ceramic duck's backTree fern frondToadstoll

Focusing close in this case is however 0.5 to 2 meters, not inches, away. This is perfect because I can stand and just focus at around ground level, ie no bending required. So I was able to get out in the garden (between rain showers) and have some close up fun.

Detail of stag horn fern leaf IDetail of stag horn fern leaf II

Friday, May 02, 2014

Viva La Difference

IMGP9892 Shot with Pentax K20D   IMG_7704 Shot was a Canon EOS 1100D.

A lot of folk ask me why I shot with two different cameras. The simple reason is I mainly use the Canon if I am likely to also take a movie, or it is to document my consulting work but the Pentax remains my “goto” camera. So I’ve started to take a few comparisons with each in different situations. What I can see (and have known for a while) is the Canon colour is always warmer, which actually Taken on my Android Phonedoes a good job with making portraits more complimentary, but it might not be a as true to the subject as the Pentax capture. The other observation is the canon tends to show more contrast. So the JPEG straight out of the camera can have more immediate appeal.

Enough to change my mind of which is my “goto” camera NOT YET!

Sunday, September 08, 2013

Saturday, July 27, 2013

Saturday, December 08, 2012

Christmas beetle in HDR

It must be getting close to Christmas, last night there were swarms of Christmas beetles [Anoplognathus] around every light. Up close & personal
HDRi treatment of a set of bracketed macro photos, something I have not tried before. (HINT a tripod is essential, to overcome ghosting and alignment issues). Here I am using Picturenaut's Adaptive Logarithmic (aka Drago) tone mapping which uses a smooth logarithmic roll-off for dynamic range compression of the highlights and the shadows. So as to preserve the colurs in both highlights and shadows.
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For PhotoFriday‘s topic Close

Wednesday, November 23, 2011

Getting in very close


Whilst this fish has featured prominently in my rock art, this is the first time I had seen a real version (aka a fossil in a mueseun collection). The lighting was very low and the specimen small but I thought HDR Camera on my android phone might be ok,


And it was. You would think he was over 70 million years old?




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Sunday, November 06, 2011

Meet the Frogmouths

IMGP9522IMGP9520IMGP9527IMGP9519

Mr. & Mrs (order unknown) and the two kids. The Tawny Frogmouth Podargus strigoides, these owls are very equal opportunity parents sharing egg incubation and brooding duties. These two chicks are delightful little bundles of fluffy feathers

Friday, November 04, 2011

Further Investigation of AutoFocus up close

My previous investigation only wetted my appetite to find out more about the close up focusing on my android phone. So I reinstalled PRO Paint, something of a mistake (see the footnote) and also grabbed my Pentax DSLR and my wife’s FujiPix (a nifty little point and shoot) and I went out to take some things in the garden up really close. I was primarily interested in the difference in depth of field, as the lens got smaller. I was expecting the depth of field to get wider on the smaller cameras and largely it did. This narrower depth of field on my big DSLR does give a pleasant effect where the subject is in focus but the background blurred. Also these photos are clearer and possibly closer to the true colour saturation. I did use the special macro mode on The FujiPix and my touch and hold method for my HTC camera. What I did notice and I have seen before is that some subjects (eg purple & white flowers) give autofocus a hard time. I suspect these subjects don’t have sharp enough contrast in themselves for the autofocus to play with. See the single lavender bloom (second row) I was trying to focus on the petals of that bloom and only the DSLR let me do that (after a lot of ranking back and forth of the lens) the other cameras just focused on the foliage behind. 

CONCLUSION: You’ll still do better with marco subjects if you go for a DSLR and exploit the depth of field to highlight your subject,  All cameras did a good enough job to get the detail. Some white & lighter purple subjects are harder to get auto-focus to work.

Pentax D20

FujiPix Z30

Android HTC

Android PRO Paint

IMGP9350 DSCF3431 IMAG0403 Nov_3_2011_2152
IMGP9342 DSCF3422 IMAG0392 Nov_3_2011_4917
IMGP9345 DSCF3426 IMAG0398

Not Taken *

IMGP9347 DSCF3428 IMAG0401

Not  Taken *

IMGP9341 DSCF3421 IMAG0394

Not Taken *

IMGP9348 DSCF3429 IMAG0402 Nov_3_2011_1379

* The PRO Paint app kept crashing my phone, whenever it used the flash which it did unnecessarily, so I gave up and uninstalled it again.