
Experimenting with a long lens for macro photos (in my garden). Unlike portraits flowers can still look beautiful in the harsh Australian sun
It was mainly the pollen of various pasture & native grasses that where implicated in the storm induced asthma crisis on Monday, so I have been looking at some of the fascinating “grass heads”. Quite an inspiring subject for an ongoing Macro PhotoProject.
Still thinking of the process used by artist to create an image versus how a photographer might capture that image. It has been a overcast and drizzly day but I managed to get a photograph of a banksia cone in flower. A almost good photo in itself and I had run a bracketed set (handheld) but it was windy so it was hard to merge and properly register. Rather than commit them to the reject bin it was a worthwhile starting point to reconstruct an image in the manner an artist might.
I’m just using my HP Spectre Tablet in tablet mode so I started with the original image and used the Polarr app to add a little contrast, contrast and strength to the red (both luminance and saturation, but not two much). I might have normally preformed this in lightroom and/or OneOne but they are not as touch screen aware as Polarr, which is a pretty neat photo edit app with really intuitive and easy to use basic tools that can easily be used by hand in tablet mode. An artist might start with the background and the overall colour, so I switched to Corel painter essentials and first set up what they call smart blur (which help highlight the strong compositional elements) and also refined the colour palette (I just wanted to enhance the two colours red and green, classic complimentary colours so I pulled back the saturation of any other colours). I use painter essential to do a very quick starter clone painting of the background. Unfortunately this smeared out the red so I use a soft clone brush to bring out sharper edge of the Banksia flower (this helped later registration of the images). Next I re-ran the HDR merge using Aftershot Pro, with particular focus on getting best registration on the banksia. However the droplets of water where no longer perfect.
I now had three separate and subtly different images and used OnOne 10.5 layers to blend them together. The background from the clone painting, the foliage and water droplets on the upper stamens from the original photo and the flower itself a combination (a soft blend mode) of the original photo and HDR image (mainly to enhance the colour). With a Brush Border from OnOne Enhance
I’m not sure how to refer to this style of image. Is it digital art, a faked photo (aka photoshopped which of course it isn’t) or photomontage or something different (and new)?
“We called it photomontage because it reflected our aversion to claiming to be artists” …Hannah Höch
Cracking and bruising some ribs a couple of weeks ago has slowed me down a lot. Especially in terms of getting out specifically to take photos.
This week I was planning to do some more on macro/closeups and just focusing on textures. Unfortunately that typically means a lot of bending, not something I want to do at the moment. However my favourite telephoto (a old sigma 70-300 DL Macro Super, no idea what the super stands for) has a macro setting, that basically lets you focus in close when using the longest focal lengths.
Focusing close in this case is however 0.5 to 2 meters, not inches, away. This is perfect because I can stand and just focus at around ground level, ie no bending required. So I was able to get out in the garden (between rain showers) and have some close up fun.
A lot of folk ask me why I shot with two different cameras. The simple reason is I mainly use the Canon if I am likely to also take a movie, or it is to document my consulting work but the Pentax remains my “goto” camera. So I’ve started to take a few comparisons with each in different situations. What I can see (and have known for a while) is the Canon colour is always warmer, which actually does a good job with making portraits more complimentary, but it might not be a as true to the subject as the Pentax capture. The other observation is the canon tends to show more contrast. So the JPEG straight out of the camera can have more immediate appeal.
Enough to change my mind of which is my “goto” camera NOT YET!


Whilst this fish has featured prominently in my rock art, this is the first time I had seen a real version (aka a fossil in a mueseun collection). The lighting was very low and the specimen small but I thought HDR Camera on my android phone might be ok, Mr. & Mrs (order unknown) and the two kids. The Tawny Frogmouth Podargus strigoides, these owls are very equal opportunity parents sharing egg incubation and brooding duties. These two chicks are delightful little bundles of fluffy feathers
My previous investigation only wetted my appetite to find out more about the close up focusing on my android phone. So I reinstalled PRO Paint, something of a mistake (see the footnote) and also grabbed my Pentax DSLR and my wife’s FujiPix (a nifty little point and shoot) and I went out to take some things in the garden up really close. I was primarily interested in the difference in depth of field, as the lens got smaller. I was expecting the depth of field to get wider on the smaller cameras and largely it did. This narrower depth of field on my big DSLR does give a pleasant effect where the subject is in focus but the background blurred. Also these photos are clearer and possibly closer to the true colour saturation. I did use the special macro mode on The FujiPix and my touch and hold method for my HTC camera. What I did notice and I have seen before is that some subjects (eg purple & white flowers) give autofocus a hard time. I suspect these subjects don’t have sharp enough contrast in themselves for the autofocus to play with. See the single lavender bloom (second row) I was trying to focus on the petals of that bloom and only the DSLR let me do that (after a lot of ranking back and forth of the lens) the other cameras just focused on the foliage behind.
CONCLUSION: You’ll still do better with marco subjects if you go for a DSLR and exploit the depth of field to highlight your subject, All cameras did a good enough job to get the detail. Some white & lighter purple subjects are harder to get auto-focus to work.
| Pentax D20 | FujiPix Z30 | Android HTC | Android PRO Paint |
| Not Taken * | |||
| Not Taken * | |||
| Not Taken * | |||
* The PRO Paint app kept crashing my phone, whenever it used the flash which it did unnecessarily, so I gave up and uninstalled it again.