Almost a Digital Nomad

Whilst I used to travel a lot and may have been a digital nomad before the term was invent, i’m not really one anymore yet I still want to be able to edit and manage my photos anywhere I happen to be. HoweverI need a bit more power than smartphones and social media offer. I have a HP Spectre, a 2 in 1 style tablet/laptop and whilst I have travel with it many time before. This trip as first time it was my only computing option. It worked wonderfully.

I also limited the accessories I carried. Two identical backpack style hard drives for backups (rotated weekly) a wacom bambo stylus/pen. usb c to usb A and hdmi dongles, hdmi cable anf a wireless mouse and  usb c charger (not shown)/ The real magic is in the software, although I have lightroom installed I didn’t touch it once. I mainly used picasa to load my photo from an old SD card reader and Photo Mechanic to quickly review rate,cull and add metadata. I then select my best and dragged those on PhotoLemur (an AI based automated postprocessor from Skylum).This was usually time for a coffee, shower &/or get ready for dinner and generally only 5 minutes after inserting the SD card.

I only use Photo;emur to show what might be possible, although I did find often that I would use photolemur Jpeg as the image to upload to instagram and very occasionally flickr. Usually then I would use either On1 Photoraw (for stitched Panoramas) and Aurora HDR (for Bracketed HDR) and either to postprocess RAW files. If the place I was staying had a suit Big Screen TV with HDMI Port I was able to review and edit my photo larger, easier on my old eyes. I had downloaded a trial version of Skylum 3 but stop using it after 2 days because I was only playing and it didn’t offer me any capability I didn’t already have.

Of course I was dependant of WIfI being available to access the internet and sometimes that wifi was a biyt unreliable. I would say I wasn’t totally committed but I did manage to post a photo a day to flickr for my 365 project and keep Instagram clicking over. I was very happy with this very light weight yet powerful IT team in my backpack.

My (Repaired) Camera Bag

I have my much loved ThinkTank Mirroless Mover camera bag back in service (with a repaired zip). It is perfect for my little OMD 10 mkiii Olympus mirroless camera plus two extra  lenses. (I also acquired a forth lens along the way which also fitted in easily). It was never overcrowded and very light compared with carrying my older Pentax DSLR and just one lens.

The big bonus for me is I have enough room to carry an A3 sketch book (or two) and also my mini Cotman sketchers palette and a couple of pens and water brushes giving me the ability to sketch anytime I was out with my camera, which was always. Even if I just sat down for a coffee or waiting for a lunch order, I could sketch.

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Hervey Range Tea Rooms :: #sketches in #watercolour (#waterbrush & #cotmansketcherspocketbox) & #pencil

A post shared by Norm Hanson (@normhansonart) on Aug 17, 2019 at 5:00pm PDT

As I was only carrying one camera body I made sure I had my smartphone and the old but reliable pink FujiPix compact camera as backups (not required). Again I can report that I used everything I took (see my Flickr posts)

The small tripod is really small and just ok for my light Olympus, importantly it fits in my suitcase, as does the various chargers and cables on the pink microfiber cloth. I didn’t normally carry them around.

My slimmed down Art Kit

I thought I should recommence semi-regular blogging with a couple of short posts about the creative tools I took on my recent travels. Traveling out of a suitcase does put a big restriction on what you can reasonably include. Further on other trips I have carried items I never used.

This time I wanted everything to fit into the little red Pocket Backpack (it looks like a soft purse but expands out in a simple backpack. I had considered long and hard and decided to take a very sketch oriented set of tools (two palettes of watercolours, inktense blocks and pencils my watercolour brush roll, a roll of sketching pens & pencils and a variety of papers) and a small drawing board (see if you can find it). Whilst travelling on planes this fitted nicely at the base of my case but the rest of the trip was always on hand in the red backpack. I actually had a small extra sketch kit in my camera bag but that can wait till the next post.

I can report back that I used  all of it as some time and because everything as always at hand I used it often. You can see some of my work over at @normhansonart on instagram.

Hmmmm no post for a month or so …

Some Apology is necessary for me missing so many opportunities to post but I was frankly very frustrated about Open live writer no longer letting me post photos (its more probably a Google photo issue). You have to admit posting photos is important in a principally photographic blog. Then I also had the hassle of yet another Microsoft Windows 10 update note really working and the bits that dis work cause me havoc on my LAN. Plus a couple of hardware problems. Blogging became a very low priority.

Anyway I’m back refreshed from a trip up north (see @normhansonphoto instagram posts) and peaching things together again. Rather than trying to frustrate myself more I might restart slowly with less photo intense posts.

PS thanks for sticking around

A Hybrid Approach 2 :: More Standalone HDR

More than anything else it was the need to run Standlone HDR applications, hat forced me not to let one piece of software (AKA lightroom) control what I was doing and how I was doing it. I have been interested in extending the dynamic range that Digital Cameras capture for a long time and had used many early HDR tools that used jpeg files (and got reasonable results). A lot of these tools let users go over the top, with luminous lurid colour and crunchy tones in the sky, as examples. HDR became synonymous with unconstrained over processing and even despised by many self-appointed photo purists. In some case I would agree but I wasn’t scared away and with the widespread development of RAW editing tools many of the tone mapping techniques where incorporated in the tonal adjustments of the RAW photos (which has in general more information on which to establish the best tonal range). The role of HDR and tonemapping has become more subdued and now offers the possibility to easy lift a digital photo to something like you rembered the light when you took the photo. Rather than the hazy, greyish image you loaded from the card. The extreme HDR effects are dying out, well except for Instagram where “funky” colours might still get you extra followers and real estate where evening photos will all the lights on and a wet path and strong colours still helps sell properties

One of the best known champions of tone mapping is Trey Ratcliff, of Stuck in Customs blog and a couple of years ago he got together with the Mac Phub team (now skylum) and bought together the essential and the best tools to build HDR images and bought out the program Aurora HDR. I was a bit late adopting it but I now have the latest edition Aurora HDR 2019 and I love it. You guessed it its another Standalone Program. Well it can also be setup as an addin. In my view it iss easier to use standalone, similar to the NIK software utilities I have the program icon on my desktop and then just drop the images in my HDR EV Bracketed set onto that icon. You then get the Merge setup dialogue screen, where it is possible to control the amount of antighosting, chromatic aberration and aligning the photos with the set.

The latest version of aurora incorporated AI feature in its new Quantaum HDR engine, that pre-processes a number of refinements steps including object recognition. This takes a little while and again not so long you need to go and make a coffee. You will them arrive at the fairly convenrtial main edit screen with some key viewing controls along the top, with a set of edit tool on the left hand side (which can be easily hidden and/or expanded) and a set of “looks” tiled as thumbnails along the bottom. Looks in aurora are like presets in other software that nicely combine several of the tools. In this case I am quite happy to just accept the default adjustments and tone mapping. I am only left to export the HDR file.

If I am intending to do any further edits of make a large print I save the HDR in Tiff format full size, if I’m posting of flickr or social media it will be a Jpeg of reduced size (eg 2400 on the longest side).

Aurora is currently my go-to HDR favourite.

A Hybrid Approach 1 :: Where to Start?

I’ve decided to try and describe my hybrid approach to using a range of photographic software tools (aka my photographic mistresses). It really began long ago when everyone had lightroom and it was in charge of everything. I was interested in HDR and had to use other software to pull the EV bracketed sets together. One of the first tools to let me use RAW files directly from within lightroom was NIK software. Google had purchased the system and for a short time offered it for free downloads, still as an add in for Lightroom. I actually found all the tools very useful but it was HDR EFex Pro that I used most. As I was slowly moving away from using lightroom I started missing my access to the NIK tools, generally finding alternatives in other software. I even researched trying to use NIK tools as an Add-in for OnOne. Then a few week ago I saw a YouTube video by Robin Whalley of Lenscraft that mentioned using the NIK programs stand alone. Turns out it pretty easy, you just need to create a shortcut  link\icon on your screen to each program within the NIK collection, then just drop the photo (or photos in a HDR set) onto the icon. Suddenly I have the NIK tools back to use when I need them.

So onto the task of straight forward HDR. This begins by selecting the 5 photos of my EV bracketed set and dropping them onto the shortcut link. This bring up a dialogue to work on a copy or the original and after that the main setup dilogue screen, where options such as alignment, ghost removal and fixing chromatic aberration (those purple and green outlines at high contrast edges) can be manipulated. Also the opportunity to choose which is the reference exposure. Next chick Create HDR and this begins the series of processes to combine the exposures according to your setup. It takes a little time but not enough to justify going to make a coffee.

In a familar NIK software style you then get a basic processed photo to view but with a series of tools, icon and sliders on the right to further enhance the image, OR a series of tiles on the right hand side showing various presets to further stylize your photos. In this case I’m happy to just accept the default HDR result and click on save. I have the option to save the result as a Tiff or  jpeg (other formats don’t interest me) and where I would like it stored.  Job done in less time!

Its exactly the same as if I submitted the selected photos in lightroom to the HDR Efex plug-in, via a special export process but quicker and without the hassle of reloading the result back into lightroom. Same result in less time and no need to fire up and wait, and wait… and wait… for lightroom.

Alvin returns as my photographic Life coach

Its more than a year since I sort out my cartoon ultra-ego., Alvin, as a personal trainer to help me reduce my mucking around in photo editing software and social media. Potentially avoid wasting a lot of time.

So how did I do? Social media is definitely cutback (largely because of frustrations rather than conscious effort). My attempts to reduce my burgeoning harem of photographic software mistresses hasn't gone so well. What I have found is a hybrid solution of using the tools that are best suited my projects at the time was far more satisfactory than trying to adopt a strict workflow and a single software application. Having a range of tools suits my creativity, providing I know how to use them, then I don't have too!

PS I seldom use Lightroom (its version 4.4) any more, just occasionally to find an old image.

Panda-monium

The site maintenance shutdown for flick has been well advertised and even has a little good panda contest for the likes of me (free users or peraps a gift for a friend). This is probably the finals steps of the migration of services off the Yahoo’s servers, but seems to have taken a day longer than anticipated. The new owners and the flicker team seem to have put a have put a lot in place to make sure this is a seamless transition, including a Known Issues page They warn a few features might take a little longer to bring back on-line. However its return to be up online again has not gone so well for me. I can not upload my photos either with the newer photo uploader.

Or the Old Manual Photo uploader

This hiatus has punched a whole in my 365 project (post a photo on flickr each day this year) for a second day, but I’m not panicking, I’m patient and I’m sure they will figure it out in time, I also realise PRO member will get higher support, Here is a link to the current status of the scheduled maintence, why not take the opportunity to go out and take a few more photos, perhaps enter their good panda contest.

ALL FIXED I’m able to upload again  GOOD PANDA

Suspicious behaviour, and a decline in trust

The news that Adobe was going to put the price up (actually doubling the price) of their basic Creative Cloud Photographic offering, was soon “retracted” as just a marketing A B test. That’s some test!

Then came the news that long time CC subscription holders would have to update and only be able download two of the most recent versions of the adobe apps. The reasons given escape me because I also found them a bit difficult to swallow.

Next a third strike for Adobe!  They were exposed writing to users warning them that using old version of the software (that those user paid good money to “rent” from adobe) would leave them open to a third party legal action. Again I find this unbelievable unjust. Like Adobe is happy to abandon them. What is going on at Adobe, don’t they care what their users think.

So I must admit I was feeling a bit smug that I resisted the subscription model (for purely cost reasons) Even though I still have to occasionally update my software. Many companies try to get that upgrade fee out of you often (eg yearly) I normally resist and upgrade on the second or third iteration and or when new features I would regularly use are rolled out. Generally I download the free trial versions first so I get a good idea of what I need versus could wait a little longer for.

Such an upgrade was the latest version of Corel Video Studio it performed way better with the 4K video from my new little Olympus and I like the multi cam synch capture. Suddenly I was  being annoyed by a nagging pop up messages every day (offering what seamed a reasonable discount). So I caved in and ordered the upgrade at the AUD$51 price. Even before I had finished and had only downloaded the initial setup program, another message popped up offering a slightly higher discount. Bummer, This is not clever marketing this is just annoying.

I do like the Corel Video Studio 2019 Pro by the way. It is a good upgrade.

What the heck are your heavily automated market teams up to software suppliers? Do you understand why you are loosing our trust?