
I must admit I love the dappled light coming though the window in the late afternoon
Taken on the Jells Park Photowalk :: Seeing as the Camera Sees.
This is a good example of my new approach to handling a (big) batches of photos without wasting time and waiting for (slow) software. (ie bringing the fun back into photography). Taken from the camera card with Photo Mechanic (180 images, 90 pairs of jpeg+raw), adding metadata, select and rating the best (under 3 minutes) then pumping 40 raw files out to photolemur 3.0 to see what is possible (another 2 minutes for that to happen, time to make an espresso) Then I sat down (5 minutes later) and choose half a dozen photos to work on. All I had to do with this one was crop the photolemur output. VoilĂ .
Then I used Photo Mechanic Upload tools to send this cropped image to both flickr and twitter (in less than 2 additional minutes)
For a couple of photos I will go back and take them into On1 Photo RAW and three sets of 5 images each I will take into AuroraHDR 2019. Even though I’m not under any time constraint taking the chore aspect out of culling ranking and caring for my photos before I can even start the fun of enhancing things, give to time to reflect and hopefully lift my creativity
A great thing to do with natural textures is use them to bring added interest to photos particularly the backgrounds. Further I have been encouraged by using my own sketches as filters for dreamscope, So today I am trying out a close up photo of lichen as my template for the filter. I am actually delighted, it brings a natural tapestry feel to my simple bird photos taken meters away from where I photographed the lichen. I’m letting Nature make some of her own marks on my work.
There is a tension between the intricate and busy and the calm rhythmic flow. We see this tension as beauty and art.
This set of amazing ripple patterns in the shallows behind a sand bar reminds me of flames, frozen in time in their best and most intricate detail.
Normally photographing a very monochrome and evenly lit subjects, like a pattern in beach sand is very difficult to focus, even manually, and would normally send my camera’s autofocus tracking back and forth in a rather futile effort to find a sharp image. Being winter the sun was low enough to throw a shadow and it was just a case moving around to get the direction that had the shadows maximised and darkest. Thus giving some good contrast in the area on which I was focusing.
For PhotoFriday‘s Topic Sharp Focus