The basis of my approach is I am trying to think of colour and composition as an artist might when confronted by a blank canvas. So the first step is like the composition sketch. Not all images are suited to creating a mosaic, you need a strong composition, with a good mix of positive and negative shapes. I often do this step with monochrome versions of the photos.
The next step is to prepare all the tile images, which I usually
put in a separate sub-directory (so they are easy to load) and reduce the resolution (about twice the resolution of the size on the final mosaic, this save time and disk space). I also like to control the colours in the palette of tiles. In this case last week’s theme was contrasting colours so I wanted to stick with strong primary colours. The entries through the year are a wide variety of colours, so I decided to run them through a variety of post processes. rather than use the saturation slider, which can make images look very lurid I have instead used the vibrancy sliders in lightroom to simply enhance and/or suppress colours. Alternatively I used some OnOne presets for lightroom to limit the image to a single primary colour.
The final step, like any mark making by any artist, is very important to conveying your style and intention. I particularly like mosaic creator because I can use a range of tile shapes (as long as the make a regular tessellation). Different shapes create different textures and can have a big impact on the final image appeal.
You will need to zoom in to recognized the individual patch entries
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