“I’ve been planning a large painting of flamingos for awhile. We artists are mocked for daydreaming but so much of painting is, as I like to call it “internal visualisation” of a finished piece. A large proportion of the planning is not physical work on paper or canvas but turning it over in your mind. Unseen. Definitely not daydreaming.”
from Catherine Ingleby’s article in the upcoming July copy of The Artist magazine
Her article really connects with what I have been absorbed about how creativity strikes. She highlights three things that help her. They
start with planning and preparatory work organising everything, which she
believes will eventually bring a freshness to your paintings. Secondly, she
suggests converting photos of your work into monochrome black or white, if the
painting doesn’t work in black and white it’s unlikely to be successful in
colour. I fully concur with this observation. Thirdly but quiet important she
says try doing your own colour charts just using two or three of your favourite
pigments, she suggests you might be very surprised how much you learn.
In the article she also limits herself to only really three tonal ranges light midtone and dark but bounded by black and white. She also limits her palette to two or three colours and things they can mix. I think three or four would still be fine.
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