Hung and open …”meet the artist” next weekend

My exhibition “An Artistic Journey :: In Search of Sir John Monash” is hung and open at the Highway Gallery in Mount Waverley. It includes a range of my works, few of which I have been posted on the social webs, so if you are in Melbourne and interested in my geological panels, photography, and photo mosaic collages please consider coming along to the “meet the artist” on Sunday 10th. November.

My Monash works follow on from my previous geological panels and paintings, on the surface they are firmly represented by earthly things, the soil and rocks. Yet they also reflect on three key aspects of Sir John's life. His military life, his life setting up the SEC and powering Victoria and his passion to build the Shrine of Remembrance. They have been created with the assistance of an arts and culture grant from the Monash City Council, which allowed me to learn about casting and moulding, to bring stronger dimensionality into my geological panels, experiment with a range of materials and hold this exhibition.

My Photo Impressions (an update)

Whilst I have not been publishing them here, my photo impressions of birds in particular, have become my best selling works. This one, of a lone gull flying into the sunset, focusing on the theme “extinction is forever”.   It has been in preparation for some time for the Venus Artist Contemporary Showcase. I always end up doing lots of tweaking of colour palette and tiling textures. In the end I have opted not to include in the exhibition (it is the first photo impression I has included a written message on)  but have also posted it on RedBubble (you can purchase a poster or a large canvas version from them).
I treat the creation of  my photographic mosaics just like a classical painting. Whilst I do use modern software and digital photos I follow a more traditional method to develop the image. The photo itself is like the initial sketches one would do to develop composition and form. Next I look at the tones and colours of the image and select a limited palette of harmonious colours. Instead of mixing these colours from a tube I look through my collection of photos. Usually I just use photos related to the theme of the photos (shorebirds in the venus bay sunsets in this case) but lately i have been adding a few specially generate fractal flames in the specific colour scheme I am missing.  From this I assemble my new palette, a library of coloured images not just pigment. Finally I have been looking to M C Escher for the shapes and tessellations of the tiling. I have also recently moved to having some reproduced on canvas, and reproduced at a decent size to reveal the smaller photos used in the tiling when you look more closely.(see detail below)

Please note I have stopped using the term Photomosaic, which with this spelling has been registered as a trademarked by Robert Silver. I use the professional version of Andrej Olenik's Mosaic Creator, which is based on different patented techniques to those covered by the patents filed by Robert Silver through Runaway Technology Inc.

If you would like to be kept informed of norm's work, send an email to the address below and you will receive an occasional email newsletter of upcoming projects and exhibitions.