Figuring Out What to Keep and What to Change

Laptop

The good news is that the basics are already sorted. Email, browsing, office work, wifi, bluetooth, and lots of small applications all have solid Linux equivalents, so day-to-day computing isn't a problem. The more interesting challenge is figuring out what to do with the more specialised creative software.

The office computer, the one that died its unfortunate death-by-upgrade, had been the focus for most of the heavy graphics work. It was well set up for it. Dual screens, a BenQ eye-care monitor (low contrast by design but genuinely helpful reducing glare for my eye problem), and enough USB ports to keep all my external photo backpack drives plugged in at once. Replacing that setup takes a bit of planning.

Here's where the graphics and photo software currently stands:

Program	Temp Destination	Linux Alternative	Cost
ON1 Photo RAW	Laptop	Darktable	Free
Luminar Neo	Laptop	Darktable	Free
Corel Draw	Studio	Inkscape	Free
Corel Painter	Studio	Krita	Free
Corel VideoStudio Pro	Studio	Kdenlive	Free
Corel AfterShot Pro	Laptop	RawTherapee	Free?
Paint.NET	Both	Pinta or GIMP	Free
XnView MP	Both	XnView MP	Free (user supported)

The encouraging news is that ON1, Corel, and XnView all offer Linux versions of their software, which opens up some options. The outstanding question is how to transfer licences from the dead office machine without having to buy everything again, particularly if switching to Linux versions. That's a puzzle still to be worked through.

Studio

The way I work has always been a bit like following a thread wherever it leads. An idea turns up when it feels like it, on whichever computer is in reach, so sketches, notes, half-finished drafts, and collected images end up scattered naturally across all three machines (office, laptop, and studio). The office computer was nominally where it all came together, but that's never really been the point. The point is being free to pick up and run with something the moment it sparks, without being tied to one desk, one device, or worse, someone else's server.

That last bit matters quite a lot, actually. The whole appeal of building and managing things locally is that the work stays mine, on my machine, without a monthly subscription, quietly making itself essential to getting anything done. There's something genuinely satisfying about owning your tools outright.

Which brings up the trickiest part of the whole picture. My website has been built using Incomedia's Website X5, which fits that local, hands-on approach perfectly. I can build and preview everything on my machine, tweak the code directly where needed, then upload it live via an old-fashioned FTP (FileZilla) when it's ready. Simple, direct, and nobody else involved. The snag is that Website X5 is Windows-only, with no Linux equivalent on the horizon.

Program	Destination	Linux Alternative
Website X5	Studio	No direct equivalent
FileZilla	Both	FileZilla (Linux version available)

Most things have been recovered and pieced back together, but a few Website X5 gaps makes this a natural moment to stop and ask whether it's time to find a different approach that keeps that same local, independent spirit intact.

A lesson I keep relearning

It definitely pays to check your DSLR camera setting BEFORE you go out with your camera to take some photos. I had been taken some night photo and had set the ISO to 3200. Then next day (in a hurry to get packed I grabbed the same camera. Also I don’t often chimp my photos, so it this case I had taken about a dozen photos before I realised. They all looked like this.

Because I was taking RAW+ Jpeg the RAW images do Have a bit pf coolured in the default RAW rendering. Yet such failures are a good time to experiment. Just how much off the badly over exposed image could I expect to recover with some careful postposing of the Canon CR2 RAW file?

I did try a few classic tricks with lightroom Like moving the highlight & whites sliders pretty much all thw way to the left but the image was starting to look a bit fake and badly posterized. So I decided to try prefect exposure plug in first. It did a much more natural job and the Dehaze preset seemed to recover from the highlights best. I could return to lightroom and use the whites, highlights and shadows sliders to a less extreme effect. Finally I darkened the blue of the sky by lowering the luminance of just the blue channel. Not perfect but a useable photo now (this is the bottom right photo on the over exposed strip above)