I am very inspired by the works of Fred Williams, at the obvious level they are very abstract, yet at the same time they capture both the colours and textures of the Australian Bush. more particularly the bush around here. That's not surprising as Fred used to regularly spend one a day a week in the bush painting and sketching what he saw. Today I am beginning with a “non-bending marco” taken of the truck of a gum tree in jells park. A couple of limbs have “dropped’ and left large gashes where the gum is leaking out. Parts of the bare truck can be seen as well as the corky rough bark normally around the base of the tree. Its a pretty ordinary subject to photograph.
Fred’s work often has two levels a rich colour ground, and then an almost calligraphic decoration of texture, squiggles and lines that are a kind of shorthand to describe the terrain, the trees and other aspects of the landscape. So I have decided to create two separate dreamcope images. One that captures the colours in a rough fashion. I tried a few filets including a couple of my own and ended up using two stacked filters, one after the other. First a watercolour then a sketch filter. There are not conventional parametric filters that adjust a given slider like exposure of saturation. The deep dream process takes the image and builds a neural network like matrix and iterate through looking for parts of the image that have the same characteristics as the filer. In this case I was looking to enhance the colours, and colour harmony (ie not just pumping up vibrance of saturations) Then I created a separate layer that focuses on the lines and textures, for this I used the money filter, which I have used before and it definitely searches out the strong design elements, shapes and textures.
The final step is to combine them, and I must admit I liked the way you could still see the three layers, fully exposed in different parts of the image on my previous art inspired piece, the autumn leaves on the ground. In this case I used OnOne 10 layers again but used soft light blend mode for all layers, to let each layer bleed through but I also used simple gradational filter to start with the original photo at the top that fades into the strong line work and with the background coming through and dominating the bottom.
Reality transforms to abstract.