
Friday, September 01, 2017
Sunrise
Sunday, October 11, 2015
PhotoFriday :: My Favourite Location (this year)

My all time favourite photographic location is still probably South Walkerville, but over the past year I have been taking a lot of photos just down the road in Jells Park. The scenery may not be world shattering but I am enjoying capturing the migrating birds, the subtle changes of light and reflections.
For PhotoFriday‘s topic My Favourite Location
Wednesday, July 08, 2015
Red Sky in the morning
AfterShot Pro 2, which has become my first stop on my laptop. In this case I have just click on Perfect Clear and lifted the vibrance slider a little. With a straightening and crop to finish. All over in seconds
Perfect Photo Suite 9, was a actually my second port of call but I have left it till last as it seems to match my memory of the moment best. I started in Perfect enhanced (which is where cropping and straightening are normally undertaken. Whilst there I couldn’t resist using their wonderful content aware magic perfect eraser to remove the two light poles (which would have bee a very time consuming task with a cloning tool on the second post behind the tree). I also finished with perfect effects, a natural Dynamic Contrast, A fall enhancer Colour Enhancer bought back to 60% layer opacity and a soft darker vignette
Monday, June 15, 2015
MDR rather than true HDR
I’m using the abbreviation MDR to mean Maximum Dynamic Range, to differentiate these approaches from “true” HDR.
Something I haven’t tried out in a while is Amalence’s HDRAW standalone utility. This utilizes Tone Mapping technique, allowing it to preserve the details while fitting the highest dynamic range image, taken from a single RAW photo, into the limited dynamic range of a single JPEG or any other 8-bit format.
It displays the options in popular filter examples that you just need to click on the most pleasing option (ie not shinny painting please)
Another way I have seen described to get a HDR set from a single image is to take a well exposed image and create an overexposed version and save that and then an underexposed version. Normally by moving the exposure slider by the equivalent of one f-stop. This might let you use tone mapping tools but it does not get you extra tonal range, you can find in bracketed exposures. If you want to follow this approach the new AfterShot HDR has this as its second option to create a HDR file (I don't recommend this approach)
The final approach, which I feel is the most obvious, is to use software like lightroom to stretch the tonal rendering to its maximum (well maximum acceptable amount). In this example I am using lightroom’s development module I just use the basic tonal controls controls at the top of the development tool panel. I fist try the whote balance, although in this case I feeel the as shot does reflect the warmth of the first dawn light colours well. Next I have a adjusted the exposure up a little (moving the whole histogram a littel to the right because it is so heavily biased to the left, the dark side). Next I adjust the shadows and blacks to keep the forground dark (and hide the shadow detail, for pictorial reasons). Finally I lift the highlights and the whites (there aren’t many as shown by the histogram). I lift the clarity (local contrast) and vibrance (the intensity of the deeper co0lours just a little. I do have a preset I developed ages ago called SDR+ which follows these steps but I actually prefer to do the steps manually because I can finesse the sliders in each step.
A number of software programs offers histogram stretching tools and they can produce HDR like results but they are less easily controlled than the tonal tools in packages like lightoom and AfterShot.
A Beautiful Dawn and being Accustomed to My Camera
The image above is just a quick collage created with picasa. I think my beloved Pentax has done a great job even though I wasn’t able to visually check the setting or button I was pressing. Naturally I could see enough where to point the camera in the right direct and could hear the autofocus tracking my lens back and forth.
This story continue (I took a few sets of bracketed), after using my muscle memory to select my user programmed mode on the main dial (which is preprogramed to create a series of EV values)
I had breakfast and put my lenses in, upload the photos and like the initial pano set. So I have taken it though Autostitch and used Perfect Enhance to hold down the digital noise.
The exercise of using your camera without looking at the dials, and just taking the picture is highly recommended. (Even in the Dark)
Saturday, April 25, 2015
Friday, April 25, 2014
Anticipating the Dawn
It was a clear night and therefore a crisp morning, but thousands where getting ready in Australian and New Zealand to uphold the ANZAC tradition. “We will remember them”.
Monday, February 03, 2014
Tuesday, January 14, 2014
Damn Mist :: Jells Park Lake
Saturday, August 10, 2013
PhotoFriday :: First Light
Saturday, March 16, 2013
Saturday, March 09, 2013
Photographing the dawn
Monday, June 13, 2011
Volcanic Dawn?
The Chilean Volcanic ash in the upper atmosphere, is now disrupting our air space. It should in theory show up in the sunrise and sunsets as richer colours. Admittedly last night with clear skies (few clouds to colour) and this morning was very foggy. However I really couldn’t see any dramatic change in these wonderful daily lighting display, it was might cold al the same!
Monday, September 13, 2010
Daybreak - South Pacific Dawn
Monday, October 12, 2009
Noumenian Dawn
Wednesday, November 19, 2008
Friday, August 22, 2008
Sunday, December 16, 2007
Sunrise

Yet another multi-image panorama, the photos were taken in new guinea two years ago BA (thats Before Autostitch, well before I started using autostitch). Just goes to show it can be worthwhile revisiting some of your old photos.For PhotoFriday's topic Sunrise
Wednesday, March 28, 2007
red sky in the morning
it has been so long since decent rains down here in south eastern asutralia, is the the "shepards warning" we are all waiting for?




