Wednesday, July 08, 2015

Red Sky in the morning

_IGP1161I must admit I’m normally still snuggling in a warm bed at this time of the morning, and it has been a very cold spell. However I was up and awake early today and able to capture the first light of dawn. Giving me a great opportunity to compare my “girls” (the three current mistresses, aka photo managers/editors, I’m using rather than picasa/google photos) as I would normally edit/tweak them. The Photo on the right is the original unedited Jpeg. The photos below are edited by AfterShot , Lightroom  and Perfect Photo Suite 9. These three systems render my .pef file (Pentax’s RAW format) differently but their RAW file renders all look very flat compared with the jpeg. I liked the dark silhouette of the trees, so I have left the images very low key and just just concentrated of adding a little extra contrast and vibrance.I also straighten and cropped each version. In the edge they all look somewhat similar, supporting the observation that it probably doesn’t matter a lot which software you use as long as it does what you want.
AfterShot 2
AfterShot Pro 2, which has become my first stop on my laptop. In this case I have just click on Perfect Clear and lifted the vibrance slider a little. With a straightening and crop to finish. All over in seconds
Lightroom 4.4Lightroom 4.4, was a little more considered and all done in the development module, lifting clarity (rather than contrast) and a little vibrance (not saturation) then straightening and crop.
Perfect Photo Suite 9
Perfect Photo Suite 9, was a actually my second port of call but I have left it till last as it seems to match my memory of the moment best. I started in Perfect enhanced (which is where cropping and straightening are normally undertaken. Whilst there I couldn’t resist using their wonderful content aware magic  perfect eraser to remove the two light poles (which would have bee a very time consuming task with a cloning tool on the second post behind the tree). I also finished with perfect effects, a natural Dynamic Contrast, A fall enhancer Colour Enhancer bought back to 60% layer opacity and a soft darker vignette
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